Press
De vrolijke nutteloosheid van kunst /// Interview Ni Haifeing & Ibrahim Quraishi by Daniël Bertina Het Parool / Kunst & Media
Ibrahim Quraishi, SHIFT City Guide
”Ein Stätte der Emotion”: Der Künstler Ibrahim Quraishi verwandelt den Pfaffenhofner Bahnhof für zwei tage… von Sabine Buckwald, Süddeutsche Zeitung München 30 Oktober 2010
“Gesprengte Geigen” von Isbella Hager, Der Standard Juli 2008
tip Berlin : tip 20 Januar 2010
Met Van-Slobbe op Expo in Sjanghai 2010, Het Parool
Museum Gear Up For Shanghai 2010, by Chris Gill, The Art Newspaper
Ibrahim Quraishi an interview
Tussen transgressie banaliteit: de valkuilen van de transculturele praktijk by Elke van Campenhout
Weekend Arts, New York Times Review, Holland Cotter
Disappeared in America: “humanizing” or “victimizing”? Bidoun (Dubai)
Disappeared A Project by the Visible Collective by Swm Desk. Star Weekend Magazine
Outsourcing Torture? The Village Voice
Reappearing Act, Zink Magazine
disappeared in america TimeOut (NYC)
De geur van ontplofte violen
- Een theaterdagboek naar aanleiding van Ibrahim Quraishi’s installatie Islamic Violins, by Laura Karreman
Ibrahim Quraishi: The Proximity of Subjugation & the Process of Subjectification after ‘Still Life’ an interview by Trajal Harrell, Movement Research Performance Journal # 32
Genderology: Parody is a Necessity A Talk with Ibrahim Quraishi by Sabina Holzer
Disappeared in America Q News (UK)
Disappeared in America TimeOut New York
Interview of Ibrahim Quraishi by Allen Frame Artwurl
Collaborative Art Makes Good SF Station
‘Hysterische reactie op klein gebaar’ Het Parool / Kunst & Media
Life During Wartime, in a News Media Bombardment, New York Times Review Nate Chinen
“Bewegte Bilder” von Bettina Hagen, Der Falter Stadtzeitung Wien 2008
Im Puls Tanz 08: Karl Regensburger & Ismael Ivo Ziehen Bilanz, Konen Zeitung Wien 11.8.2008
“Das Care-Paket” von Ulli Moschen, Der Falter Stadtzeitung Wien Nr.28a 2008
An Eye Catching Name… by Musa Igre, Today’s Zaman
Interview Asia Society
5 Streams of Consciousness Village Voice review by Aaron Landsman
Landscapes of the 21st Century: Towards a Universal Performance Language by Bonnie Marranca